As far as Hollywood's reliably tepid horror output is concerned, Quarantine works as every bit the disposable jolt dispenser it's assembled to be. It's got a nifty enough concept in its favor and a mildly recognizable cast that needs not fear any characterization coming between them and certain death by the time the credits roll, and it's hard to believe that there's not at least one sequence in here that might get even the most cynical horror fan's heart rate to rise a beat or two -- and I say this as a documented fan of the (still superior) source material.

Young news reporter Angela Vidal (Jennifer Carpenter) and her cameraman (Steve Harris) are covering a Los Angeles fire station during their nightly routines when the two tag along on an emergency call to an apartment building. Not terribly long after their arrival, all hell breaks loose and the building's occupants -- Angela included -- find themselves contained within against their will and left to fend off a dangerous virus that causes the infected to become a rabid zombie variant, one aggressively determined to spread the love around.

Despite having previously established my feelings about this weekend's Quarantine, I must confess a new willingness to give it a fair shot later tonight. Regardless, this week's Cinematical Seven is all about first-person horror movies, with a couple of oh-so-subjective stipulations:

• We're leaving The Blair Witch Project (1999) out of this. It might not have been the first of these movies, but it was undeniably the most successful and influential. There are only seven slots here, and I feel like everyone has already made clear whether they find this scary or just stupid (I fall in the former grouping, though I say this having not seen the flick since my teens). If you still feel the need to take BWP to task, comment away.
• Also omitted will be The Last Broadcast (1998), which drew mild controversy at the time of its release for its similarity to Blair Witch. I'm only not writing about it because the copy of it sitting just over on my shelf here has remained unwatched. My bad.
• The previous film by the guys behind Quarantine is The Poughkeepsie Tapes (2007), which -- being in the hands of the Weinsteins -- has not yet seen the light of day beyond a couple of festivals. Having not attended any of said festivals myself, I'll just sit here and guess that it'll get dumped to DVD (probably under the Dimension Extreme label), and not any earlier than next year at that.

Now, on with the list...

So last week, the official theme song for Quantum of Solace -- y'know, that new James Bond flick -- was formally released online, and above is the music video for Jack White and Alicia Keys' "Another Way to Die." This managed to slip past us, probably because we were all still drooling over Erik's chance to comandeer an Aston friggin' Martin (no, no, 'jealous' isn't quite the word...), and now that it's out, opinions are becoming considerably divided.

On his personal blog, Bond devotee David Cornelius of eFilmCritic.com said "it's, um, not good. Really, really not good. The Coke commercial focused on the catchy hook, which was good. But the rest of the song? Not good. We're talking "Die Another Day" not good. Argh."

Devindra Hardawar of /Film feels a little less harsh about it: "It's not a terrible song (see Madonna's for Die Another Day for a good example of that), but it certainly doesn't feel like anything new for the series. It seems as if it tries to do way too much, and the song ends up feeling overstuffed in the process."

Left in the apparent, admitted minority is Devin Faraci over at CHUD.com, who likes the song, if not the video.

As for me, I dig the thing, though it's stuck stubbornly in my head over the past couple of days, but I rarely think that's a bad thing. What say you guys? Is "Another Way to Die" worthy of our favorite double-0 agent? Or would you rather they had just adopted "Something of Boris" instead?

You might recall that I bought a Roku player a few months ago to make it easier for me to watch high-quality versions of Netflix's Watch Instantly offerings. My biggest complaint about Roku and Watch Instantly was that the selection was pretty slim -- mostly we've used it to watch old TV shows, and even then I suspect we watch more TV on Hulu.com. Watch Instantly has a great selection of low-budget independent features and documentaries, and even some short films, but if you want Hollywood blockbusters you're better off with the DVDs.

Fortunately, the Watch Instantly pickings are starting to improve. Netflix has just partnered with Starz Entertainment to offer more than 1,000 movies that Starz has licensed for its own video-on-demand services. Starz already has deals with Disney and Sony, so these movies include a lot of (relatively) newer Hollywood big-budget films, like Ratatouille, Pirates of the Caribbean 3, No Country for Old Men, and Superbad. These still aren't as recent as the films you can get mailed to you on DVD from Netflix (or rent at your local video store), but it's a significant improvement over the previous Watch Instantly offerings for recent mainstream movies. In addition, Netflix also signed deals last month with the Disney Channel and CBS to add some of their TV shows to the Watch Instantly lineup, like Hannah Montana and CSI. Those aren't movie-related deals, but I got excited because I can now watch the Disney TV show in which a cousin of mine plays an amusingly bad-tempered chef.

Hold on to your missile-launching cuff links, 007 lovers -- this bit of James Bond intelligence may leave you searching for solace in more ways than one.

According to The Hollywood Reporter, the superspy's latest adventure, Quantum Of Solace, will open in India before the film has even had its U.S. red carpet premiere.

Solace, which first shows in the U.K. on Oct. 31, hits Indian theaters a week later on Nov. 7 and then bows in North American theaters on Nov. 14. The move by Sony marks the first time that a major U.S. film has opened in India before hitting theaters Stateside.

As you may remember, Solace was initially set to storm into theaters across America on Nov. 7, but Sony pushed the release date back a week when Warner Bros. decided to give a certain boy wizard the year off, pushing Harry Potter and the Half-Blood Prince to summer 2009.

But before you decide to drop your hard-earned cash on a plane ticket to England or India for an early peek at the flick, there is some good news on the 007 front. The very retro, super sleek new music video for Alicia Keys and Jack White's Quantum theme song, Another Way to Die, hit Yahoo! today. Guess we can take some solace in that. Check it out after the jump.

I know this is traditionally a slow news time but wow, it's a desert out there! Is everyone in Hollywood sleeping? Are they becoming addicted to CNN election coverage like I am? Well, I managed to tear myself away from Anderson Cooper to do a little Cinematical work (and it's hard, 360 runs on such an endless loop that it's kind of like spending a delightful eternity with him), you'd think someone in Tinseltown could option some graphic novels or cast Captain America. Sheesh. Anyway, here's what we've got today:

• The Hasbro Licensing Summit of 2008 revealed the Transformers appearing in Transformers 2 are: Sideswipe (Chevy Corvette), Ravage, and Devastator. Also from Transformer World 2005, Robert Orci has answered a slew of new sequel questions. Beware of spoilers. Additionally, The Insider visited the set of Transformers 2, and you check out some video after the jump.
  


• Oh, Brett Ratner. I snark on him, but immediately feel guilty because everyone does, and it can't be easy for one man to endure. And then he goes and tells MTV about his superhero spin-off ideas and I just want to shake him by the shoulders, and tell him to leave this genre alone. Disappointed that he didn't get to direct Batman, he nevertheless thinks there should be a Joker spin-off -- and not even Heath Ledger's death dampens his enthusiasm. "Heath was great," Ratner said. "But the Joker is a great villain. That's why Jack Nicholson and Heath Ledger had so much to work with. And I think there will be another actor who can interpret that. It would be great to see [Robert] Downey [Jr.] as the Joker, for instance." Now, while I don't think the character of the Joker should die with Ledger, I certainly think he's off-limits for awhile -- and a spin-off? Come on. This isn't Magneto, this is a character we never really want to know more about, he needs to exist solely where you can't see him. But then again, Ratner also thinks a Storm spin-off with Halle Berry is a good idea.
  

It looks like another quiet week in the land of the geek -- particularly since all my friends are off at Fantastic Fest. If you're one of the lucky people attending, eat a Wild at Artichoke Hearts pizza for me at the Alamo Drafthouse. I lie awake at night thinking about it, and wishing for the skill to replicate it.

• The biggest news of the weekend was a story that hit Variety late Friday night: Stephen Chow has landed the role of Kato in The Green Hornet and the director's chair. Rumors and Seth Rogen's wishes have attached him for some time, but now it's official, and definitely shows that the project is going to be heavy on the comedy. (Incidentally, I never realized before now what huge Green Hornet fans my geek parents were -- let's just say Rogen's ears must be burning.) The movie is scheduled to be released June 25th, 2010.
  

• Tintin has run into some major financial problems. According to the LA Times, Universal has passed on the film, leaving Steven Spielberg and Peter Jackson to scramble for a new studio to financially back them. It's as embarrassing as you can imagine -- not only because its two of the biggest names in the business, but because Spielberg may have to make nice with Paramount (who's financing half the film) just as he and David Geffen are trying to extricate themselves from it. It also leaves Spielberg without a project to direct, as Tintin was supposed to be next in line, and it delays the whole thing even longer. But hey, at least struggling directors the world over can now do something they never thought possible -- feel just like Spielberg!
  

At one end of his career, Neil LaBute was an up-and-coming talent to be reckoned with. He earned a reputation as intelligent Mamet-like artist of uncompromising vision with movies like In the Company of Men and Your Friends & Neighbors, harsh, cynical films that looked under the rock of humanity and found icky, squirmy things. At the other end, there's The Wicker Man, a genuine, "what was he thinking?" movie, and the curious dud The Shape of Things, which couldn't quite reconcile LaBute's stage hat with his cinema hat. In the middle we have Nurse Betty and Possession, two exceptional Hollywood entertainments with gleaming surfaces and dark souls. As with David Gordon Green and his delightful, mainstream comedy Pineapple Express, this type of "compromise" may represent LaBute's real calling.

With his seventh feature Lakeview Terrace, LaBute has once again managed to take a surface thriller and use it to work through some of humanity's ugliest and most hateful issues. It begins with a picture of suburbia, USA. Single father Abel Turner (Samuel L. Jackson) struggles to get his kids up in the morning and off to school, but struggles even harder in relating to them. He knows how to boss them around, but doesn't understand them. (He makes his son change basketball jerseys to reflect "their" favorite team.) Later, he peers out the window and watches the new neighbors move in. He's clearly perturbed that it's a clean-cut white guy, Chris Mattson (Patrick Wilson), married to a beautiful black girl, Lisa (Kerry Washington). We eventually learn that he has his reasons, his own emotional wounds, to explain why and how his buttons have been pushed, but it launches an all-out battle of wills.

The Geek Beat is taking a late-September vacation to Middle Earth -- but it will be back next month and those of you suffering withdrawels can always check the archives. In the meantime, you can relax with a daily round-up of nerdy news bites. (They taste like coconut!) This is relaxing for me, too -- I get to catch up on my reading, my Halloween shopping, and my yoga. I can stay up all night re-reading Preacher (you know I will) and not waiting for an X-Men Origins: Wolverine story. A good way to end summer!

Now, onto today's news ...

• According to The Hollywood Reporter, Jeffery Erb and Robert Robinson Jr. have launched Framelight Productions with an eye to producing edgy comic and graphic novel adaptations. They already have options on Larry Hama's Dr. Death with Kip and Muffy, Gary Reed's Deadworld, Ralph Tedesco and Joe Tyler's Sins of the Fallen, as well as their 1001 Arabian Nights. (Clicking on any of those links will take you to previews of the books.) All of their productions aim to do one thing in particular -- involve the creator in all aspects of movie making. "We weren't the only producers wanting to make movies based on these creators' babies, but we were the only ones inviting them in as co-producers," says Erb.

• Edward Norton told MTV News that he's uncertain about the future of The Incredible Hulk and his role in it. There's been no word on whether they will be a solo sequel, or if Norton will be playing the Hulk in The Avengers. "The minds of Marvel are sometimes opaque. I won't say [they're] obtuse, but I don't have any idea what they want to do." Perhaps they're considering Matthew McConaughey, who had no idea he was rumored for Captain America -- but revealed to MTV that Hulk is really the only Marvel character he would like to play. (They could save on the budget -- all they have to do is dye that muscled dude green.)