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The holiday season usually issues forth an avalanche of award-contending dramas, feel-good family films, and oddball counter programming. Last weekend was no exception, with the debuting Old Dogs, Ninja Assassin, and The Road jostling for attention with New Moon and The Blind Side. Of all those movies, the one that jumps out at me is The Blind Side, which actually increased its audience in its second week of release.

That's a pretty rare feat, especially for a wide release, and speaks to the broad appeal of the film. "Yes, Virginia, Sandra Bullock is the biggest female star in the world... again," in the words of David Poland at The Hot Blog, and there's no doubt that Bullock's celebrity, even more than her compelling, measured performance, is a big draw. Yet with big stars like Will Farrell and Jim Carrey failing to bring in the expected box office this year, Bullock is not the whole story. Nor is it only a matter of the movie being "generically acceptable [for families] to watch together over the holiday weekend," as our own Eugene Novikov suggested, although, to be fair, it's likely that 'the Sandie Bullock football movie' would be an easier sell to more families to watch together than 'the bare-chested boy vampire romance' or 'the violent ninja flick.'

No, I think it's clear that positive word of mouth has spread. What have people told their friends? Maybe that the first, widely-seen and frequently-mocked (by me) trailer was not representative of the movie as a whole, which comes by its emotions honestly.

It's a bit disconcerting when a movie takes a 70% tumble in its second weekend, and still ends up with a $66 million holiday take, but that's Twilight fans for you. New Moon took all of eight days to get to $200 million, a number bested only by The Dark Knight and Transformers: Revenge of the Fallen. It doesn't look like New Moon's staying power will be particularly impressive, but when your movie opens to $142 million, you don't really need it.

A movie that might be sticking around the top of the charts for a few weeks yet is The Blind Side, which surged to get an 18% boost over its strong opening weekend (3-day numbers). The relentlessly positive movie no doubt was helped by families looking for something generically acceptable to watch together over the holiday weekend. Even those who don't care for The Blind Side should be happy that most families chose it over the universally despised Old Dogs, which landed in fourth place with $24 million over the five-day weekend, about $15 million less than its predecessor-in-everything-but-name (but really in name too), Wild Hogs, made in its three-day opening.

The weekend's other major debut was Ninja Assassin, which put up a lukewarm $21 million. That's weaker than the non-holiday opening of the last McTeigue/Wachowski Bros. collaboration, V for Vendetta, despite Ninja Assassin seemingly having broader potential appeal (I mean, come on -- ninjas). Opening in limited release was Dimension's The Road, which did okay on just over 100 screens. It seems safe to say that the dark, grimy post-apocalyptic thriller won't be a breakout hit.

The holiday top 11 after the jump.

Armed with a collection of the world's notable directors, Paris je t'aime hit screens with a good deal of impact and buzz. It was to be the first piece in producer Emmanuel Benbihy's "Cities of Love," a collection of films detailing romance and metropolitan life across the globe, a series planning to travel to the likes of New York, Rio, Shanghai, Jerusalem, and Mumbai.

Three years later, the second installment is finally upon us with New York, I Love You. With only minor changes, the film continues the tradition of joining many internationally diverse filmmakers for the journey through a popular city, but the buzz has diminished. The film is slowly making its way across screens in the U.S., and will break into Canada come November 27. But how could one of Hollywood's most beloved cities find its ode so woefully under the radar? It's not an easy question to answer because while New York, I Love You might be flawed, it's also sweet, engaging, and nicely representative of that small island cluttered with millions of people.

I have a personal kink when it comes to a good old fashioned fairy tale subversion. I can't explain it, but there's just something about messing with those classic tales that never fails to amuse me -- so you can see why I have a soft spot for the Shrek franchise. News of a fourth film first hit back in 2007 and now USA Today gives us our first look at the fairy tale comedy, as well as (good?) news that the fourth installment of the franchise, Shrek Forever After, will be the last (and as much as I liked the first two films, I'll admit that by the time we had reached Shrek the Third, the charm was wearing a little thin).

Bill Damaschke, head of creative production at DreamWorks and Mike Mitchell (Sky High) gave some hints as to what we should expect from Shrek Forever After, and according to Mitchell, this time Shrek is feeling out of touch with his inner ogre, so he strikes up a deal with Rumplestiltskin (voiced by Walt Dohrn) to change his life. But things don't work out as planned and Shrek finds out that life in Far Far Away has changed for the worse in his absence. Franchise favorites Puss in Boots (voiced by Antonio Banderas) and Donkey (Eddie Murphy) will return and some of the new additions to the cast are Kathy Griffin and Kristin Schaal (Flight of the Conchords) as witches and part time Ogre hunters, and Mad Men's Jon Hamm as the leader of the ogre underground.

By: Eugene Novikov, reprinted from the Telluride Film Festival '09

Just before the kid was born, the world burned. We don't know why, and the characters don't talk about it -- perhaps they don't quite know themselves, or maybe they've decided that it no longer matters. The Boy's universe is grey, full of ash, dust, and the ruins of a civilization he never saw. This is all he knows. His mother, seeing no point in going on, killed herself shortly after his birth. She was not alone. Many of those who didn't take their own lives were soon murdered by the desperate and hungry.

Skip ahead nine or ten years. The kid and his father wander the barren roadways heading south toward the coast for no clear reason other than that it gives them a tangible goal toward which to strive. (And there's always the hope that the ocean will be something other than gray.) Every day is a knock-down, drag-out fight for survival. They run, hide, starve, and fight off attackers who want their food, or their clothes, or, at one point, their flesh.

I set the stage like this not to horrify you or to gross you out, but to give you a sense of the relentless, pervasive grimness of The Road -- and then to turn around and say that The Road may be the most profoundly optimistic and life-affirming film you will see this year. Those who have read Cormac McCarthy's novel of the same name won't be surprised by this. John Hillcoat's faithful, near-perfect adaptation beautifully captures McCarthy's synthesis of all-encompassing darkness and enduring hope.

By: William Goss, reprinted from Fantastic Fest '09

One can't ask too much of a film called Ninja Assassin -- that's a given -- but James McTeigue's proper directorial follow-up to V for Vendetta does its damnedest to take that insta-pulp title and weave around it a worn-out tale of forbidden love, family betrayal, and government conspiracy. Complete with some hard-to-see fight scenes and some harder-to-hear dialogue, all delivered with a poker-straight face and capped off with some super-splattery kills, it's like a graphic novel adaptation with comic book punctuation, a film so flagrant in its fakery that it almost forgets to have any fun.

Raizo (Korean pop star Rain, of Speed Racer and "Colbert Report" fame) was once an orphan, raised by a secretive clan to, um, assassinate as, well, a ninja would. One forbidden fling and one shamed father later, and our pariah protagonist is off to Berlin in order to save Europol* agent Mika Coretti (Naomie Harris) from the grisly fate that her criminal investigations have inevitably drawn.

This is a tale of the girl who cried wolf vampire...

TMZ is reporting that the 17-year-old girl who claimed that a fellow moviegoer bit her neck while exiting a screening of New Moon was, as they put it, "lying through her teeth." Erin Westrate gave police her story of the so-called bite, but a witness came forward to say that they saw her leave the theater and saw no biting. After grilling the teen, she confessed: "the alleged culprit was simply kissing her on the neck at the time and she was a 'willing participant.'" What possessed her to make up this extravagant lie is beyond me. Is she an English literature fiend who wanted to play on the never-cry-wolf idea after a movie with wolves and vamps?

Detective Lieutenant Timothy LaVigne says that the teen could now face criminal charges, and if this is all true and she did lie -- I say bring her down. Women have a tough enough time as it is when they are assaulted, crying wolf doesn't help matters.

From the original post:

We keep hearing about the annoying Twilight Saga fans and their ever-loyal fandom, but there are other crazies coming out of the woodwork. An ABC affiliate in Michigan reports that while watching New Moon at the Norton Shores theater, a teen girl was harassed and bitten by an old perv while watching the vampire/werewolf blockbuster.

It seems that in the midst of a screen full of vamps and wolves, an old, short, white dude believed to be about 45 years old starting throwing "sexual comments" at a 17-year-old girl sitting in front of him. But he didn't just assault her with words. When the movie was over, he decided to give her a taste of the "real deal" and allegedly bit the girl on the neck (lucky for her, he didn't break the skin). Right now, the perv is at large, and the police are asking anyone with any information to contact the Norton Shores Police Department.

I will say this for Old Dogs: It is exactly as funny as you'd expect a movie to be that stars John Travolta and Robin Williams as two bachelors who must suddenly take care of precocious 7-year-old twins, and that was directed by the man who made Wild Hogs. Which is to say, it is not the least bit funny, not once, not even for a minute. Imagine a season's worth of plot devices from TV's most generic sitcom crammed into 88 excruciating minutes.

Here are the thoughts of Williams' character in this frantic, contrived mess: I had a one-night stand seven years ago, and it turns out I'm the father of twins! And now I have to babysit them for two weeks! But I'm working on the Big Account at my job, and I don't have time! Oh no, they don't allow children in my condos -- apparently not even temporarily, to visit -- so we have to stay with my best friend at his un-child-proofed apartment! Oh no, if I screw up this golf game with the client, it'll blow everything -- and I accidentally took my friend's medication this morning that gives me hallucinations! Oh no, my friend and I are going to breakfast with the kids, and everyone thinks we're their grandparents! And now the staff is singing a "welcome to the grandparents' club" song, which surely does not exist in real life anywhere! How embarrassing! And now we're on a camping trip with the kids, and the scout leader thinks my friend and I are gay, except we're too stupid to realize he thinks that, because somehow it's "funnier" if we don't know! Doh! We're on a collision course with wackiness!!

We keep hearing about the annoying Twilight Saga fans and their ever-loyal fandom, but there are other crazies coming out of the woodwork. An ABC affiliate in Michigan reports that while watching New Moon at the Norton Shores theater, a teen girl was harassed and bitten by an old perv while watching the vampire/werewolf blockbuster.

It seems that in the midst of a screen full of vamps and wolves, an old, short, white dude believed to be about 45 years old starting throwing "sexual comments" at a 17-year-old girl sitting in front of him. But he didn't just assault her with words. When the movie was over, he decided to give her a taste of the "real deal" and allegedly bit the girl on the neck (lucky for her, he didn't break the skin). Right now, the perv is at large, and the police are asking anyone with any information to contact the Norton Shores Police Department.

Attention pervy men: While it might seem like biting is the new flirting, especially with the hordes of girls begging Robert Pattinson to bite them, you are not RPatt and that is not cool. And for you fellow filmgoers -- don't let the sickos get away, okay? Do you want to worry about who sits behind you or walks too close as you exit a theater?

You can watch the newscast after the jump.

What major movie production features an interracial friendship that defies all the expected stereotypes? Hint: it's not the one starring Sandra Bullock.

On its own merits, The Blind Side is a heartwarming story of the modern South, in which a rich white 40-something woman (Bullock) befriends a poor black teenager (Quenton Aaron). Their relationship develops to the point that the young man feels a part of her family. I agree with our reviewer, Jette Kernion, who described it as "a very good example of a sports-related family film, with quality performances and writing." She also notes the "seeming visual message that the African-American community can't or won't care for their own, and that the saviors here are rich white conservatives." The film is based on a non-fiction account, but it still makes me wonder why, exactly, we needed another film depicting that particular racial dynamic -- beyond providing a great starring role for Bullock and the aforementioned heartwarming elements.

As finely-edged as a new razor blade, Ninja Assassin establishes itself as a contender for "CGI Fu Movie of the Decade" in its very first sequence, gleefully slicing off body parts with the abandon of an extreme gore flick that would satisfy most horror hounds. It rocks back and forth between ponderous philosophical pontifications and riotously preposterous action scenes like a ticking time bomb, exploding in geysers of blood at regular intervals. Our reviewer William Goss was much less taken with the film than I am -- I think it's fair to say he hated it -- so bear in mind that your mileage may vary wildly. However, I feel confident in saying that Ninja Assassin presents a rarely seen relationship: a friendship between two people that makes no mention of their racial differences.