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More Dispatches From 'Punisher: War Zone'

Filed under: Action, Lionsgate Films, RumorMonger, Celebrities and Controversy, Fandom, Comic/Superhero/Geek, Remakes and Sequels

It's been a week since the surprising news that Lexi Alexander was booted from Punisher: War Zone, and the silence is deafening. Alexander's blog, which had been offering only a photo of hear no evil, see no evil monkeys, is now back online, and managing to talk completely around anything movie related. She doesn't sound happy, though, hinting that she'd like to moon people, that mean people should explode like tires, and that life is sometimes about losing it all.

But Iain Stasukevich over at CHUD received an inside scoop from someone involved with the film, and who had no idea he was talking to a writer for one of the Internet's biggest movie news sites. According to the mystery person, all this drama is just a bunch of smoke and mirrors, generated to drum up interest in the film. Lexi Alexander is still director, and the final cut will be set in a few weeks.

Now, this goes against some of the other insider info that has been floating around (and which was left in a comment on my previous Punisher post.) And frankly, when it comes to drumming up interest, a bigger panel and some copious swag at Comic-Con would have probably had a much bigger and better effect. If it is all hype, however, it would explain why everyone involved seemed so darn cheery at the convention. They knew it was a load of drama that would subside before too long. On the other hand, Alexander has been so chatty with fans on her blog that I have a hard time believing that she would willingly ditch her panel unless something ugly (as ugly, say, as being booted from one's own film) had happened.

Catch the Bargain 'Midnight Meat Train'!

Filed under: Horror, Lionsgate Films, Fandom, Distribution, Exhibition

When was the last time you saw a first-run movie on opening night and paid just $1.75? Hardcore horror flick The Midnight Meat Train has been relegated to second-run theaters in its limited, 100-screen release this weekend, as William Goss nicely detailed for us. (Thanks to commenter Christopher for pointing out that Dread Central compiled a very handy list of theaters.) Let me testify: watching the movie at a theater with cheap seats did not enhance the experience.

Here's why: The Midnight Meat Train is a very good flick -- I agree completely with our own horror hound Scott Weinberg that "it's one of the most effective horror films of the year" -- and horror fans who sought it out deserved to see it in the best possible environment. I was fortunate in that one of the six theaters playing it in the Dallas / Ft. Worth Metroplex is only about 10 miles away, though I had a devil of a time finding it. Unfortunately, the theater has seen better days, the seating layout is not optimal, and the audio equipment is lacking.

It felt surreal to watch the far inferior The Mummy: Tomb of the Dragon Emperor at a Cinemark complex with great sound and a huge screen and then travel 10 miles to see The Midnight Meat Train at another Cinemark complex with sound that lacked any oomph and a much smaller screen. Nonetheless, the 9:25 p.m. show drew a mixed crowd of 60-70 people, despite zero advertising in the local newspapers, and folks seemed satisfied with what they saw.

'Midnight Meat Train' to Make (Very) Select Stops This Weekend

Filed under: Horror, Mystery & Suspense, Lionsgate Films, RumorMonger, Distribution

In a development noted on several horror sites, not the least of which are Shock and BD.com, it appears that Lionsgate is indeed opening the oft-shuffled adaptation of Clive Barker's The Midnight Meat Train on roughly 100 screens this Friday. However, all currently-posted showtimes are at second-run theaters -- otherwise known as dollar theaters, although it never seems to be that cheap anymore, not even on Tuesdays.

In my neck of the woods, one theater has it booked for two evening shows a day, for an engagement that I'm willing to bet will last only one week. The last time I remember a first-run film being shown at this theater, it was the Weinsteins' Feast, although that usually neglectful studio did so as part of a clear strategy to boost general awareness of that movie before its DVD release a month later (and wouldn't you know it, that wasn't a bad flick at all).

Despite all the fuss between Barker and the studio and the frequent release date changes, Scott saw it at Comic-Con and really dug it, and he doesn't seem to be alone among the genre gurus, which leads one to wonder just why Lionsgate would go to such curious lengths to so poorly fulfill a contractual obligation when it seems that fans might, y'know, actually turn out and pay full price to get the grisly goods. (On the flip side, at least it'll hit more cities than Pathology or Rogue did when they were similarly dumped.)

What do you guys think? Are you still interested in catching the film, and if so, do you find yourself inconvenienced by this odd distribution tactic?

SDCC 08: How to Kill 'The Punisher' Without Using Bullets

Filed under: Action, Lionsgate Films, Festival Reports, Celebrities and Controversy, Comic/Superhero/Geek, Remakes and Sequels, ComicCon



The RocknRolla adventure, unfortunately, kept me away from the Punisher: War Zone party and panel, which I had every intention of attending and covering for all of you. In retrospect, it was probably a good thing, since the talk of the convention wasn't the panel or its footage, but of director Lexi Alexander's departure from the project. Obviously the news surprised me, although the timing did not. It was obvious from the scheduling that Lionsgate was trying to bury the panel -- if a studio is trying to sell their new comic book movie, they generally don't schedule a panel at 8:00pm when the geeks are out feasting and drinking. They put it at 2:00pm in Hall H and give us a free t-shirt.

Now, this movie could be terrible. This movie could be pure awesome. I don't know, I'm certainly not going to judge it or Alexander's direction at this stage. But it frustrates me to see any movie this badly handled, its chances of being successful destroyed before it even gets to a theatrical trailer. I just don't understand how or why it happens when the ultimate goal of a movie (from the studio perspective, anyway) is to turn a profit.

This whole debacle has made me a very sad panda. First, for Alexander, who I admire purely from a feminist standpoint. Female directors are too far and few between, and it was exciting to see one not only directing an action movie, but one based on a comic book. I wanted her to succeed in a big way -- and I hope that whatever happens with this film, she has a solid career kicking cinematic ass. At least some studio people are in her corner -- according to MTV Movies, producer Deborah Del Prete says she and Alexander are working together on an adaptation of a little-known British fantasy novel. (I hate teases like that.) So at least she's not persona non grata yet, which is a relief. We need chicks like her in the business.

And I especially feel for Ray Stevenson, who I had the privilege to meet on Thursday afternoon. (See the photo above -- oh, for the days when you could be photographed next to the celebrity in question!) Like a lot of people, I know him mostly as Titus Pullo from HBO's brilliant series Rome. If you haven't seen this series, dear readers, you need to finish this post and then hit your preferred rental outlet. You will love it, and you will love Stevenson in it. You will not doubt that he is capable of being an excellent Punisher.

I've been rooting for this movie to make it largely because Stevenson deserves a bigger career -- and having met him now, it really does break my heart that this movie is getting the run-around. He was so friendly and enthusiastic, and really wants to do justice to the character. (Oh yeah, and he was incredibly handsome. Damn. They make such nice men in the UK.) I haven't attended a lot of promotional signings, but often they are dull and duty-bound affairs. Stevenson and Tim Bradstreet seemed happy to be there meeting everyone. And if they were pulling off that level of enthusiasm despite the Alexander news, then they really deserve a round of applause.

And so, Lionsgate, from one girl who willingly queued to meet your new Punisher, who did it as a fan and not a member of the press, I beg you to do right by this film. It's obvious that all involved worked hard on it and care about it, and they deserve to have their faith rewarded. Don't hack at it, slap a heavy metal soundtrack on it, and shove it out into theatres. Do whatever it takes to make a good film. Your profit margin will thank you, fans of the character will worship you, and you can take your place in the comic book franchise world.

SDCC Review: The Midnight Meat Train

Filed under: Horror, Lionsgate Films, Theatrical Reviews, ComicCon


Easily the best Clive Barker adaptation since the first Hellraiser film, Ryuhei Kitamura's The Midnight Meat Train is so absolutely a "horror fans only" experience that I'm not surprised that Lionsgate wants to give it only a cursory theatrical release before dumping it into DVD. I do not mean that as a knock on the film. As a matter of fact, this is certainly one of the most effective horror films of the year -- but man, oh man... it would be a really tough sell on 1,200 screens. It's kind of an unfair catch-22 where certain horror movies are concerned: if you "go dark," dabble in grimness, and don't cater to the under-18 crowd, then there's a good chance your "hardcore" horror movie will debut on DVD (at best) or, like The Mist and The Ruins, arrive in theaters very quietly.

But let's hear it for the filmmakers who still insist on pushing the envelope, giving the horror fans something dark and challenging, and focusing more on mood, atmosphere, and scares more than in catering to the widest audience possible. Frankly, if The Midnight Meat Train hits only 100 screens (which is Lionsgate's current plan), I'd take that as a compliment paid to the movie: This is not a mainstream horror flick. If all you know of horror films is stuff like Prom Night, consider yourself warned.

Strange New Photos from 'Crank 2: High Voltage'

Filed under: Action, Lionsgate Films, Movie Marketing, Remakes and Sequels, Images



You know, I've seen a lot of 'behind the scenes' photographs over the years, but these latest from Crank 2: High Voltage win the "what the heck is going on here?" award, hands down. The LA Times is now hosting 19 new images from the set of the follow-up to the 2006 action film. In fact, I have to be honest with you: I can't for the life of me figure out why directors Mark Neveldine and Brian Taylor would need a giant foam head of Jason Statham -- but now that it has my interest piqued, it had better be good.

This time around, our favorite hit man Chev Chelios (Statham) has to chase down a Chinese mobster who has stolen his nearly indestructible heart and replaced it with a bum ticker. But that's not all: on top of everything else, Chev has to keep his heart running on jolts of electricity (where's James Bond's dashboard defibrillator when you need it?). Joining in on the fun are Amy Smart (who we saw on set a few months ago in a 'questionable' costume), Dwight Yoakum, Bai Ling, and a cameo from '80s cautionary tale, Corey Haim (and for his sake I hope things went better on the set here than they did on Lost Boys 2).

Crank 2: High Voltage is expected arrive in theaters in 2009 -- maybe by then we'll know what all those big foam heads were about.

'The Spirit' Trailer Now Officially Online

Filed under: Action, Noir, Lionsgate Films, Newsstand, Movie Marketing, Comic/Superhero/Geek, Trailers and Clips

Lionsgate has now officially released the full-length trailer for The Spirit that Film School Rejects leaked last night. It's over on Yahoo! Movies in high definition, so even if you managed to catch the leaked version, it's worth checking out.

I have to say, this looks nothing like I thought it would. I wish I could say that was a good thing but ... wow. I am not feeling this at all. It's not the classic noir of Will Eisner's comics, it's not really a Sin City rip-off, it's just strange and creepy. The shots of the floating heads and the Spirit falling out of the woman's mouth remind me way too much of those eerie French safe sex ads.

I also have to complain about the emphasis placed on the femme fatales. I shrugged off the poster and the website; I accepted the excuse that to lure in the boys, you have to use the sexy girls. I also realize that just about all the actresses in the movie are bigger names than Gabriel Macht, who's the man behind the mask. But this is a full length trailer, and the Spirit himself is still persona non grata. When are we finally going to meet him?

I dig you Frank Miller, I really do, but I don't know if I can go down this road with you. I am hoping that this is just a really bad trailer, and the film is actually a nice visit to the land of neo-noir.

The Spirit opens December 25th, 2008.

A Weird Full Trailer for 'The Spirit'

Filed under: Lionsgate Films, Comic/Superhero/Geek, Trailers and Clips

Frank Miller's The Spirit just took a turn for the bizarre. The full trailer is up at Film School Rejects, at least for now (the teaser is here, permanently), and it makes the movie look downright avant-garde. The accompanying Rejects blog post calls the look and feel of the film "forced," and I have to agree, even as I recognize that it's not fair to make such a judgment from a promotional clip. But then the post also badmouths Sky Captain and the World of Tomorrow, at which point it lost me.

Anyhow, my fear is that The Spirit will prize style to the exclusion of a story that can be taken seriously -- something both Sin City and Sky Captain avoided doing. There really aren't any words for the costumes Samuel L. Jackson wears in the second half of the trailer, and I can't imagine I'll be able to watch him in the movie without giggling. On the other hand, misguided complaints about 300 not withstanding, I can't imagine Frank Miller ever generating anything to be giggled at.

Can anyone who's familiar with the source material -- a comic book not by Frank Miller, but by Will Eisner -- shed any light on what's going on in that trailer?

Watch the Trailer for 'Wolverine vs Hulk'

Filed under: Action, Animation, Lionsgate Films, Fandom, Movie Marketing, Comic/Superhero/Geek, Trailers and Clips



We've done a number of posts on Batman's recent animated outing, but there are some other masked heroes getting big DVD releases, too. Marvel and Lionsgate have teamed up to release a slate of direct-to-DVD animated movies that are more mature than the usual Saturday morning fare, but impossible to tackle in a live action film. Their first release, Hulk VS, comes out in January 2009. If you hadn't guessed by the title, it stars the purple-trousered one, and follows him through two of his most famous brawls with Thor and Wolverine.

But a few lucky people -- a few thousand, at least -- will get to see the first half, Hulk vs Wolverine, at its ComicCon premiere on Thursday, July 24th at 4:15. (I'm not kidding on the thousands. It's playing in Hall H which fits a ridiculous amount of people.) Whether or not you plan to catch it there, you can still watch the trailer courtesy of Marvel.com. It looks pretty darn fun -- there's adamantium bone-setting, the gloriously drawn Canadian Rockies gracing the background, and a very famous one-on-one showdown to be had. Yeah, I'll be watching this. Will you?

[via IMDB]





Lionsgate Goes 'All-Inclusive'

Filed under: Foreign Language, Lionsgate Films, Distribution, Cinematical Indie

In my recent celebratory rant about the new Latin American cinema classics, I failed to mention any films from Chile. This was not my intention, but admittedly I am not familiar with that country's film production, as most Americans are not. The most well-known contemporary Chilean filmmaker is probably Raoul Ruiz (or Raúl Ruiz), who is likely more associated with French cinema and is considered even more generally to be an international filmmaker. Like Ruiz, a lot of Chile's filmmakers left their country 35 years ago when Pinochet came to power. Fortunately, since Chile became a democracy again in 1990, film production there has been on the rise and will fortunately one day be as big as neighboring Argentina's film industry.

Chilean cinema could have a boost thanks to Lionsgate, which has just picked up Rodrigo Ortuzar's All Inclusive for U.S. distribution. The film, about a family trapped at a resort when a Hurricane hits its Yucatan location and co-starring Street Kings' Martha Higareda (pictured), is set in and was co-produced by Mexico, which is fine considering the association allows the film to be lumped with recent partially Mexican films like Under the Same Moon and the Spanish-language work of Guillermo Del Toro. Lionsgate also handled distribution for last year's U.S.-produced Spanish-language film Bandoleros, Lionsgate has yet to announce a release date for All Inclusive.
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