I already like the sound of this one: After taking a puff alongside the school stoner, a high school valedictorian decides to get the whole student body stoned, enough so for them to collectively fail the same drug test he finds himself up against.

That's the thrust behind the new comedy High School, which looks to begin production in early November, and according to this Variety notice, Adrien Brody (The Brothers Bloom) has signed on to play a drug dealer, while Michael Chiklis (Eagle Eye) will take up the role of principal, a move that'll likely play to his stoic strengths. (Bruce Willis worked wonders with a similar part in the still unreleased Assassination of a High School President; a greater pity because it's a fairly fun little flick overall.)

There is only so much else left to say about the project. It'll be directed by John Stalberg Jr., who co-wrote the screenplay with Stephen Susco (of the Grudge films) and... that's really about it for now, though -- dare I suggest -- Stalberg and Susco still have time to throw the word 'Musical' into that title somewhere and simply wait for the money to roll in. Either way, it sounds like a shortage of green will be the least of their worries.

Opening nights at film festivals are usually black-tie, red carpet, invitation-only affairs, but let me extend an invite for you to crash the Hamptons International Film Festival, which opens tonight in New York, for free. You don't have to wear a tuxedo or, hey, even get dressed if that's your thing; all you have to do is point your browser to our friends at SnagFilms. Two docs are enjoying their world online premiere starting today, available for free streaming through Sunday, October 19.

My suggestion is to watch Great Speeches From a Dying World immediately before or after the Presidential debate tonight. Sure, the title sounds dire, but Linas Phillips' documentary promises to uncover "the stories and struggles of 10 Seattle homeless people, each of whom recite famous speeches from history that relate to their lives: from Shakespeare to JFK to Chief Sealth." What a country! We can listen to the next President of the United States debate his opponent on the issues of the day, and then watch homeless folk recreating great historical speeches.

For a lighter alternative, consider Between the Folds (pictured), a doc by Vanessa Gould that follows artists and scientists who have forsaken their careeers to "forge lives as modern-day paperfolders." (?!) Now, the last time I was heavy into paperfolding was when I played paper football at school, but I'm always down to hear about well-educated people who have developed "passion and determination to reinterpret the world in paper."

Another day, another intriguing project from Ryan Kavanaugh and his Relativity Media shingle. According to Variety, their latest script acquisition is D. B. Weiss' Kashmir, which has already attracted the interest of director Jean-Jacques Annaud.

Weiss' script revolves around three ex-mercenaries who receive a tip as to the location of a terrorist who boasts a $30 million bounty on his head. For that kind of money, they decide to brave a trip into Kashmir, the volatile region between Pakistan and India. And because nothing is ever so simple as heading into a dangerous region to hunt a terrorist, all three men have their own reasons for the journey, and their working relationship is sorely tested.

The idea comes from those early days of the War on Terror, when the U.S. government actually was putting up wanted posters -- it's a sign of how much has happened that I can't remember if anyone ever collected on them. Annaud, ever the adventurist, has every intention of shooting as close as he can to Kashmir, and is traveling to Pakistan with Weiss for research.

While I'm a bit tired of terrorism plotlines, the story has all the classic marks of a Western -- and I'd love to see it tackled as such. Annaud certainly does grueling journeys (inner and outer) and sweeping vistas well, though the final result can be wanting. Here's hoping he can take the best parts of Enemy at the Gates and combine it with his eye for landscapes, and give us a good old fashioned bounty hunt.

(We first saw it back at Sundance, but the indie drama Good Dick is opening this weekend in limited release. So here's a reprint of our review from last January.)


By: Scott Weinberg

Yes, the title of the movie is "Good Dick," no, there's no character named Dick in the film, and yes, I definitely think that the flick's eventual distributor will change it to something a little less, well, tacky. But I believe a brave distributor will come along and show this fine little film some love -- despite its frequent proclivity for very frank and seriously explicit sex talk. Fortunately, the film comes from a very sincere and heartfelt place, which makes the few "uncomfortable" moments perfectly acceptable ... and frequently quite fascinating.

Jason Ritter and fantastic newcomer Marianna Palka star as a pair of unnamed twenty-somethings who don't "meet cute," don't fall madly in love, and don't really get along all that well -- yet they still make for one of the most fascinating on-screen movie couples in quite some time. "He" is a homeless video store clerk who has a desperate yearning for some romantic contact. "She" is a seriously unhappy young woman who seems to have a strong affection for hardcore pornography. "He," for some strange-yet-sweet reason, can see through her powerfully unpleasant exterior -- and he seems to be well and truly smitten with this dysfunctional female. "She" claims to have no affection whatsoever for her new sorta-boyfriend, but she also welcomes him into her apartment (and bed) time and time again. Oh, but she won't get physical. At all.

I predict that the news you are about to read will result in many people shocked, shocked! that someone would make a comedy about cancer. Even The Hollywood Reporter sounds a little uncertain about the news. But once you read the film's plot, I think you're going to see exactly what kind of movie this is.

Mandate Pictures has bought I'm With Cancer, an autobiographical comedy by Will Reiser. Seth Rogen, the busiest man in Hollywood, is set to costar and produce the film alongside his writing-producing partner Evan Goldberg and The Daily Show's Ben Karlin.

Reiser's script is based on his own battle with cancer, and is centered around an up-and-coming 25-year-old who discovers he has the disease. I think you know where this is going. This isn't going to be some spoof of serious illness, or run with the idea that coming down with cancer is funny. Cancer is going to be about a young man trying to deal with something that could kill him, finding the humor in hospital situations, and using it to stay sane. Laughter is the best medicine, and all that. Given that Reiser obviously conquered his disease to co-produce this movie, I bet it will even have a happy ending. You know what I'm also willing to bet on? Medicinal marijuana jokes. If there isn't at least one, I will eat this post.

(Mike Leigh's "Happy-Go-Lucky" opens in limited release this weekend, and so we're reprinting our Telluride review from this past August.)

By: Kim Voynar

With his latest effort, Happy-Go-Lucky, director Mike Leigh takes a departure from the dark mood evoked by most of his films with a charming little tale about an eternally optimistic school teacher, Poppy (Sally Hawkins, previously seen in smaller roles in Leigh's films Vera Drake and All or Nothing), who breezes through life, always seeing the glass half full. Poppy is one of those people who never seems to get down about anything. She smiles at surly strangers, strikes up conversations with people who'd clearly prefer to be left alone, and puts a positive spin on everything.

When her bike is stolen, Poppy shrugs it off and decides to take driving lessons; her driving instructor, Scott (Eddie Marsan, also a Leigh alum from Vera Drake) is Poppy's polar opposite. Some of the film's best moments are when she's interacting with Scott and we have the dramatic tension of his simmering anger to contrast with Poppy's perkiness. Scott is intensely uptight, seems to hate everyone and everything, and adheres firmly to the belief that if only everyone would follow a strict set of rules (his rules, of course), all would be well. Naturally, the two clash.

Welcome to the Indie Spotlight, our weekly roundup of the limited-release films opening outside the multiplexes all over this great land of ours. There are quite a few indie films debuting today, and while it's especially good news for movie buffs in New York City, the rest of us can make a note of the ones that look good and keep an eye out for when they come to our neck of the woods (wherever that neck may be).

Today we have, in alphabetical order: Ashes of Time Redux, Billy: The Early Years, Breakfast with Scot, Choose Connor, Fraude: Mexico 2006, Good Dick, Happy-Go-Lucky, Nights and Weekends, and Talento de Barrio. Here's the scoop on each of them, from widest opening to smallest.

Billy: The Early Years
What it is: A friendly, faithful biopic about the Rev. Billy Graham.
What they're saying: Nothing so far. If I had to guess, I'd reckon fans of the good reverend will find it pleasant, while those unfamiliar with or uninterested in him will find it boring. That's if I had to guess.
Where it's playing: About 300 locations throughout the southeastern quadrant of the United States, below the Mason-Dixon line and east of Amarillo.
More info: Here's the official site.

Talento de Barrio
What it is: Puerto Rican drama starring Daddy Yankee as a drug dealer who falls in love and becomes a reggaeton singer. I guess it's like a Puerto Rican Hustle & Flow.
What they're saying: The only two reviews available so far are very, very negative.
Where it's playing: About 20 screens in the greater New York City and Los Angeles areas.
More info: The official site lists the theaters it's playing in.

Despite having previously established my feelings about this weekend's Quarantine, I must confess a new willingness to give it a fair shot later tonight. Regardless, this week's Cinematical Seven is all about first-person horror movies, with a couple of oh-so-subjective stipulations:

• We're leaving The Blair Witch Project (1999) out of this. It might not have been the first of these movies, but it was undeniably the most successful and influential. There are only seven slots here, and I feel like everyone has already made clear whether they find this scary or just stupid (I fall in the former grouping, though I say this having not seen the flick since my teens). If you still feel the need to take BWP to task, comment away.
• Also omitted will be The Last Broadcast (1998), which drew mild controversy at the time of its release for its similarity to Blair Witch. I'm only not writing about it because the copy of it sitting just over on my shelf here has remained unwatched. My bad.
• The previous film by the guys behind Quarantine is The Poughkeepsie Tapes (2007), which -- being in the hands of the Weinsteins -- has not yet seen the light of day beyond a couple of festivals. Having not attended any of said festivals myself, I'll just sit here and guess that it'll get dumped to DVD (probably under the Dimension Extreme label), and not any earlier than next year at that.

Now, on with the list...

Like several worthwhile movie companies, Anchor Bay began by catering to the horror geeks. The company delivered fantastic DVDs of cult and classic genre flicks, and then began to branch out in all different directions. Over the past year or so, AB has dipped its toe into the theatrical pool, and now it looks like they're about to bring their cinematic output to a whole new level.

According to Variety, the "plan is to primarily acquire finished films it will roll out theatrically on fewer than 100 screens before distribbing them on other platforms like DVD, Starz's pay-TV service, the Internet, pay-per-view and video-on-demand, for example." The article goes on to mention the distributor's early forays into theatrical release -- titles like The Grand, Sex and Death 101, and Surfer, Dude -- but there's no mention of Hatchet, Spiral, and / or Behind the Mask in this story? Coulda sworn they were earlier than those other flicks.

Anyway, good luck to Anchor Bay in their ten-movie-a-year plan. Here's hoping most of their acquisitions are good ones -- and that a few slots are still dedicated to the scary stuff. (I'm betting that Rob Hall's Laid to Rest will be one of AB's early releases, and Erik says the "very funny" Bart Got a Room should also be on that list.) Glad to know that the money I spent on three different DVD versions of Evil Dead 2 is being used wisely.

Gerard Butler's RocknRolla week has gone rather sour, poor lad. (And I do mean that.) But maybe he can keep cheerful at the idea that Law Abiding Citizen is finally moving forward again. If you remember, this is the first film Butler will be producing under his Evil Twins shingle, and he snagged Frank Darabont for the director's chair.

Now, according to The Hollywood Reporter, Mr. Butler has snagged himself a pretty big costar: Jamie Foxx. Butler will play a successful assistant D.A., who finds himself in the middle of a vigilante plot hatched by Foxx, who has been screwed over by the legal system and discovers that one of the men responsible for killing his wife and daughter is about to be set free. All who participated in the deal and the killings are fair game for his revenge. It's going to be a lot of fun watching Butler and Foxx square off.

Possibly better than Foxx's casting is that they seem to be keeping the original plot. When Darabont became attached to the film, the press release suggested that the story was revamped to center around a criminal mastermind rather than vigilante justice. Who wants to see a Hannibal Lecter knockoff over a Harvey Dent clone? Not I, I like my moral ambiguity and Batman style justice. No word on when this starts shooting, but let's hope it's soon. I think Butler could use some good news -- and a safer outlet for his own vigilante justice.