If you were checking out the casting bites back in August, you might recall that Meryl Streep was looking to sign on to a new romantic comedy penned by Father of the Bride and Irreconcilable Differences scribe Nancy Meyers (which Meyers will also direct). The film was said to focus on a love triangle, and now Variety reports that the beaus fighting for her affection will be: Alec Baldwin and the just-signed Steve Martin.

But still, we know nothing about the plot other than the fact that both will play rivals fighting for Streep's affections, and that this mysterious project will leap into production during the month of romance -- February.

At the very least, it looks like this could bite on the question: Which do ladies prefer -- the sexy guy or the funny man? Baldwin comes from a pack of bros so sexy that his last name became a term for hotness in Clueless. As for Martin, well, he might be a wild and crazy guy, but he's also a bit of a goof.

If you had your choice, who would you pick?

Those furry little buggers took us by surprise and Beverly Hills Chihuahua hung on to the number one spot for two consecutive weeks. Body of Lies surprised too, taking third place despite formidable star power before and behind the camera. Here's the top five:

1. Beverly Hills Chihuahua: $17.5 million
2. Quarantine: $14.2 million
3. Body of Lies: $12.8 million
4. Eagle Eye: $10.9 million
5. Nick and Norah's Infinite Playlist: $6.4 million

Four more new ones this week starting with:

Max Payne
What's It All About: In this video game adaptation, Mark Wahlberg plays a widowed cop with an attitude investigating a series of killings.
Why It Might Do Well: Director John Moore has obviously seen Sin City, so maybe some of Frank Miller and Robert Rodriguez's dark and gritty neo noir cool will rub off. Based just on the number of theaters I'm betting this takes the number one spot.
Why It Might Not Do Well: Despite having enjoyed Resident Evil, I still cringe at the idea of a movie based on a video game.
Number of Theaters: 3,200
Prediction: $24 million

If you want to broaden the appeal of a romantic comedy, it helps to grab an array of actresses -- like say, a girl who is not only known as a modern Nancy Drew, but also a hot-tempered Hero, a woman who starred in one of the hot rom-coms of 2008 (Sex and the City), and a girl who can smack down baddies in an alternate time of superheroes and impending doom.

The Hollywood Reporter posts that Kristen Bell, Kristin Davis, and Malin Akerman have signed on for a new film called Couples Retreat. Now Akerman, at least, has had some iffy luck with this genre, so here's what ups the ante -- it's written by Iron Man Jon Favreau, and will be directed by collaborator Peter Billingsley (better known as the Christmas Story kid). So, it's not your everyday comedy. In fact, "rom" has been completely left off the genre placement of this project so far, but it is a comedy about romance. (Is there a difference?!)

The story involves four couples working on their relationships at a tropical island resort, so who are the men in romantic peril? Jason Bateman gets to be married to Bell, Favreau is also co-starring as Davis' husband, and Vince Vaughn gets to canoodle Malin. As for the fourth, Faizon Love is attached, but there's no word on his leading lady.

I already like the sound of this one: After taking a puff alongside the school stoner, a high school valedictorian decides to get the whole student body stoned, enough so for them to collectively fail the same drug test he finds himself up against.

That's the thrust behind the new comedy High School, which looks to begin production in early November, and according to this Variety notice, Adrien Brody (The Brothers Bloom) has signed on to play a drug dealer, while Michael Chiklis (Eagle Eye) will take up the role of principal, a move that'll likely play to his stoic strengths. (Bruce Willis worked wonders with a similar part in the still unreleased Assassination of a High School President; a greater pity because it's a fairly fun little flick overall.)

There is only so much else left to say about the project. It'll be directed by John Stalberg Jr., who co-wrote the screenplay with Stephen Susco (of the Grudge films) and... that's really about it for now, though -- dare I suggest -- Stalberg and Susco still have time to throw the word 'Musical' into that title somewhere and simply wait for the money to roll in. Either way, it sounds like a shortage of green will be the least of their worries.

I mentioned in a post back on Feb. 29 that movies released on Leap Day are exceedingly rare. Surely you remember that post, and the glaring error I made in it, as though it were yesterday. But even rarer than movies released on Leap Day are movies about Leap Day. Why have the cinematic properties of Feb. 29, an extra day that occurs just once every four years, so far mostly eluded the magic-makers in Hollywood?

That oversight is about to be remedied with Leap Year, a romantic comedy that The Hollywood Reporter says is probably going to star Amy Adams (Enchanted). She would play an uptight woman who goes to Dublin on Feb. 29 to take advantage of an Irish custom dictating that if a woman proposes marriage to her boyfriend on that day, he is obligated to say yes. (What the hell kind of operation are they running over there? I don't think that would hold up in a court of law.) But -- get this! -- shenanigans and tomfoolery delay her, and a surly innkeeper has to help her get across the country in time to make her proposal! One suspects that hijinks and merriment are also involved, though The Hollywood Reporter is unclear on that aspect.

I don't like to judge a movie before I've seen it, or before it's finished, or before they've even started filming it, but I'll go on the record now: Wow, this sounds awful. Casting the exuberant, lighthearted Adams as an uptight woman in a generic-sounding rom-com is wrong to begin with, and the screenplay is by Deborah Kaplan and Harry Elfont -- the duo behind the paralyzingly bad Made of Honor.

Here's a round-up of some stuff (and things) currently causing waves online:

-- Moviefone has launched the latest installment of Unscripted, featuring stars Josh Brolin and Elizabeth Banks discussing their new film W. using reader questions and some of their own. Additionally, above you'll find some newly-released art for the film. Heh.

-- After breaking up with Paramount, Dreamworks has officially found a new f*ck buddy in Universal, so says Variety. The two signed a seven-year worldwide distribution deal.

-- Darren Aronofsky's The Fighter looks to be in trouble. Now that the writer-director is working hard on that Robocop remake, seems this other flick is being neglected. Brad Pitt has apparently dropped out, and Mark Wahlberg -- who's been training for the role for over a year -- doesn't seem to know the film's current status. All that being said, Slashfilm claims their scouting locations in Mass.

-- A few photos of Mel Gibson on the set of Edge of Darkness have appeared online, most of which show the man going full-Diddy, forcing some woman to hold an umbrella so the sun doesn't, ya know, shine on the poor man. In case you forgot, this film marks Gibson's return to acting as a homicide detective investigating the death of his daughter. See image to the right, click to see enlarge. [via Crabbies Hollywood]

-- A theme park in the UK is actually moving forward with a ride based on the Saw films, called Saw - The Ride. I bet folks will just kill to get on it. HAR! Apparently, we're looking at a ride with "beyond vertical drop of 100-degree from a height of 100ft, as well as a rather sinister sounding "three inversions" to add to the fun." Who's down? [via IGN]

Guillaume Depardieu, the 37-year-old son of Gerard Depardieu, died today in Paris from a bout of acute pneumonia. Depardieu, who's starred in upwards of 20 films, struggled with drugs and drinking over the years.

A few new images of Samuel L. Jackson and the late Bernie Mac in the new film Soul Men have arrived in the Cinematical inbox. Check them out in the gallery below.

From one sexy role to another: Carla Gugino will soon (hopefully) be on the big screen as Sally Jupiter, hero and pin-up girl of Watchmen, and now she's taking on another seductive role. Variety reports the gal will be the last point in the romantic love triangle called Every Day, which got cooking earlier this month. Liev Schreiber plays a guy who writes for a "semi-pornographic TV show" (that wasn't in the earlier news release!) that gets propositioned by his colleague (Gugino). But the man already has wife Helen Hunt at home, and this "strains his marriage to the breaking point." Could you resist if Gugino was tempting you?

Meanwhile, we've got Rachael Harris, who stood her own against mockumentary heavyweights in For Your Consideration (she played Mary Pat Hooligan, the actress who played the lesbian coming out to her family in Home for Purim). Variety reports that she's going to nurse Todd Phillips' The Hangover with the likes of Bradley Cooper, Heather Graham, and more. Graham is already playing a Vegas local, so maybe Harris will play the bride who might get left at the altar. But the actress isn't all laughs -- one of her upcoming films is The Soloist.

Lastly, we've got a cute, Korean hip-hop dancer on the way -- Som Dam-bi has signed onto Hype Nation. But this isn't just a tale of dancing: "An American dance crew goes head to head with a crew from South Korea," one that mixes hip-hop moves with at least one gun-toter. Oooh, it's like You've Been Served International!

With J.C.V.D. charming audiences everywhere and making the unlucky of us foam at the mouth to see it, the big question has become: Would this be the start of a great career twist, or a charming, but fleeting, aberration for Jean Claude Van Damme? Rather than taking it step by step, the dude has jumped head first into the deep end -- next up will be Van Damme's labor of love, Full Love, which he wrote, produced, directed, and stars in. It's supposed to be a personal story, but is currently all hush-hush. But now we've at least got a peek inside, courtesy of Twitch. They've posted five images from the film, including the thumbnail to the right. It doesn't show much, but one thing that's definitely not there -- JCVD splits.

Turning from possible success to definite success -- CNN reports that Tim Robbins has nabbed himself a star on Hollywood's Walk of Fame. In the ceremony last week, the actor said: "I used to take the bus from here to Burbank to go to work. When the bus was late, I would walk up and down and throw my cigarettes down. Now I have the honor of having this done to my star."

Meanwhile, if you've dug the tunes coming out of Repo! The Genetic Opera, Horror-Movies.ca reports that the film's soundtrack will be up for free for one day only, today the 13th, on the flick's official website. Go now!

And one last nibblet: Variety reports that Mark Waters, director of films like The House of Yes, Mean Girls, and The Spiderwick Chronicles, is heading to TV to helm the pilot Eva Adams. Adapted from the Argentinian telenova Lalola, the series will follow a womanizer who gets turned into a woman and must endure what he used to dole out.

Success Stories:
Happy-Go-Lucky (Miramax)
Religulous (Lionsgate)
Ballast (Alluvial/Required Viewing)

One Brit edged out another, as RockNRolla, Guy Ritchie's zippy yet utterfully forgettable "return to form" Brit crime flick, narrowly claimed the #1 spot among limited releases, according to estimates compiled by Box Office Mojo. To my mind, though, Mike Leigh's much riskier Happy-Go-Lucky ($20,000 per screen at four theaters) is the surprise winner in the independent world, with a strking lead performance by Sally Hawkins as a preternaturally cheerful schoolteacher who sounds as though she could set teeth on edge as easily as she warms hearts. I'm curious but wary. The film will expand wider on Friday; if you've seen it, is it a tonic for difficult times or a passive aggressive form of torture?

Speaking of possibly unpleasant experiences, I'm also surprised by the excellent returns for Larry Charles' Religulous. The doc has earned more than $6.7 million in just two weeks; A. J. Schnack of All these wonderful things points out that it's the first doc since Michael Moore's Sicko "to score back-to-back multi-million dollar weekends." I grew tired of Bill Maher's smirking, self-righteous ridicule years ago, but perhaps I'm in the minority. If you've seen the doc, are you a big fan of Maher? Or is it the subject matter that made it a must-see?

Lance Hammer's Ballast deserves a big hand. Not only did Hammer write and direct a highly-praised drama, he decided to take on distribution duties as well, opening it at a single Manhattan theater the weekend before last. The earnings were not stunning, but very respectable for picture without stars. It expands to Los Angeles, San Francisco, Boston, Chicago, Detroit, Washington, Philadelphia and St. Louis before the end of October, according to indieWIRE. Will you check out Ballast if it opens near you?

(We first saw it back at Sundance, but the indie drama Good Dick is opening this weekend in limited release. So here's a reprint of our review from last January.)


By: Scott Weinberg

Yes, the title of the movie is "Good Dick," no, there's no character named Dick in the film, and yes, I definitely think that the flick's eventual distributor will change it to something a little less, well, tacky. But I believe a brave distributor will come along and show this fine little film some love -- despite its frequent proclivity for very frank and seriously explicit sex talk. Fortunately, the film comes from a very sincere and heartfelt place, which makes the few "uncomfortable" moments perfectly acceptable ... and frequently quite fascinating.

Jason Ritter and fantastic newcomer Marianna Palka star as a pair of unnamed twenty-somethings who don't "meet cute," don't fall madly in love, and don't really get along all that well -- yet they still make for one of the most fascinating on-screen movie couples in quite some time. "He" is a homeless video store clerk who has a desperate yearning for some romantic contact. "She" is a seriously unhappy young woman who seems to have a strong affection for hardcore pornography. "He," for some strange-yet-sweet reason, can see through her powerfully unpleasant exterior -- and he seems to be well and truly smitten with this dysfunctional female. "She" claims to have no affection whatsoever for her new sorta-boyfriend, but she also welcomes him into her apartment (and bed) time and time again. Oh, but she won't get physical. At all.